Bourse de Master 2022 - Interview Lauréate Emma Louvrier
Interview Emma Louvrier
La représentation des colliers dans les portraits féminins français du XVIe siècle
Université de Picardie Jules Verne, sous la direction du Professeur Philippe Sénéchal
Quel a été votre parcours avant de vous lancer dans un master recherche ?
Before embarking on this Research Master’s, I obtained a degree in art history and archeology from the Université de Picardie Jules Verne in Amiens.
Comment avez-vous choisi ce sujet ?
My subject concerns the representation of necklaces in portraits of 16th-century French women. I chose this subject for a number of reasons. Firstly, in 2020, interested in craftsmanship and wishing to better understand the stakes involved, I did an internship with artisans working with pewter. As part of this internship, I was able to make an item of jewelry, from the design to the marketing phase. From a more theoretical perspective, for several years, I have focused my attention on the sociological dimension of fashion, in particular jewelry, as well as the link between art objects and their representation. I have enriched my practical knowledge of this topic through a more academic approach. Finally, during my studies in art history, I realized that I have a particular penchant for portraiture. Given my fondness for the Renaissance period, portraits from this historical epoch naturally became my preferred area of study. In conclusion, the choice of my thesis subject is, above all, the result of the combination of my academic and professional career, as well as my keen interest in jewelry and portrait art.
Quel en est l’intérêt, l’originalité ?
Back in 2021, with my thesis director, Philippe Sénéchal, we spent a great deal of time discussing the fact that the representation of necklaces in Renaissance portraits was very little referenced. This absence in academic research represents a hiatus in the understanding of Renaissance jewelry. Nowadays, portraits are a rare testimony of Renaissance necklaces as the vast majority of these artefacts have either disappeared or been clouded by forgeries.
Expliquez-nous votre goût pour le bijou, la joaillerie.
My interest in jewelry mainly revolves around the socio-political analysis of jewelry in connection with the art of appearance, notably sumptuary laws, as well as the evolution of jewelry, along with that of clothing, with regards to ways of wearing it.
Comment allez-vous utiliser la bourse de Master qui vient de vous être décernée ?
As the second year of my Research Master’s approaches, I plan to use this scholarship in three ways. Firstly, the funds allocated will be invested in the necessary but costly specialized books on my thesis subject. Secondly, I will use the funds to organize research trips, mainly in and around Paris, which will allow me to deepen my knowledge of the subject in question. Finally, and in parallel with the financial aspect, this scholarship validates my research subject. Thanks to it, I will be able to conduct interviews with professionals who can provide essential knowledge that will guarantee the exhaustiveness of my final project.
Connaissiez-vous L’École des Arts Joailliers avant de candidater à cette bourse ?
Before applying for this scholarship, I already knew L’ÉCOLE, School of Jewelry Arts. In 2021, I was lucky enough to be able to visit the exhibition Designing Jewels.