31 rue Danielle Casanova
75001 Paris
Exhibition from June 2nd 2023 to September 30th 2023.
From June 2nd to September 30th, 2023, L’ÉCOLE, School of Jewelry Arts will be staging a new exhibition illustrating the unique place occupied by jewelry at the turn of the 19th and 20th centuries, through a selection of almost 100 pieces from museum, patrimonial and private collections.
From the 1880s onwards, aesthetics underwent a profound change. A radical renaissance of the imaginary, enriched by an extraordinary dissemination of scientific knowledge, enhanced creative potential in all spheres of art. At the end of the century in France, this movement converged towards Art Nouveau in a creative spirit that enlivened the work of the workshops.
Far from being simply the reflection of a history of forms written elsewhere, jewelry was fully engaged in a fascination with nature and its phenomena. Free from practical considerations, the only constraint being that associated with working with metals and stones, precious objects lent themselves admirably to all sorts of experiments, allowing the most varied combinations and the most evocative fantasies. Artists such as René Lalique, Georges Fouquet, Élisabeth Bonté, Victor Prouvé, Jean Dampt, Jules Desbois, Edward Colonna and Eugène Grasset then took possession of an art form for which the primary source of invention was its materials.
From a technical point of view, it is mainly characterized by its subtle combination of stones, metals and materials of different value, based on a conviction that the beauty of a piece of jewelry lies in its artistic design rather than the cost of its components. The latter, ductile, colorful and shimmering, form feminine silhouettes, foliage and flowers, insects and enchanting arabesques. Brooches, combs, pendants and rings borrow the flowing curves of the natural world, in a bewildering diversity of themes often viewed through the prism of dreamlike fantasy.
Although, in the early 1910s, artists opt for an esthetics more inspired by geometry, Art Nouveau ultimately developed a rich legacy: its decompartmentalization of the arts, contact with the sciences and assimilation of a living visual culture would ultimately modernize the art of jewelry.
Photo banner: Georges Fouquet, Pendant "Nymphe des mers", Gold, opal mosaic, enamel and diamonds, H. 6 cm, W. 5,7 cm, L. 7,1 cm, About 1900-1905. Tokyo, Albion Art Collection, Tsuneharu Doi © Albion Art Institute, @ADAGP, Paris, 2023
Masterpieces in three chapters
Divided into three sections, the exhibition at L’ÉCOLE, School of Jewelry Arts allows visitors to explore developments that were based as much on the use of unusual materials as on the adoption of new visual repertoires.
A glance at the heyday of jewelry design
Under the curatorship of Rossella Froissart (École Pratique des Hautes Études EPHE-PSL), the exhibition proposes to incorporate French jewelry created in the decades 1880–1914 within a broader historical discourse in which the restrictions of a stylistic label are not imposed on creative works. To make it clear that Art Nouveau is defined by its complexity, around one hundred selected pieces are on loan from museum, patrimonial and private collections.
The exhibition’s original approach fully responds to the scientific missions undertaken by L’ÉCOLE, School of Jewelry Arts since its creation in 2012, with the support of the Maison Van Cleef & Arpels. Through its courses, talks, workshops, exhibitions, publications and research, L’ÉCOLE strives to promote the art of jewelry in all its dimensions.
Lalique Museum
© David DesaleuxPart of the "Jewelry Collections of the World" series, in partnership between L'ÉCOLE, School of Jewelry Arts and The French Jewelry Post.
Located in the Vosges, this museum highlights the glass work of René Lalique through 650 objects from the 1890s to today. Plus some beautiful jewels that alone are worth the trip.
Jewelry holds a central place in the profound evolution in aesthetics that began in the 1880s. Far from being a mere reflection of a history of art written elsewhere – in the “major” fields of painting, sculpture, or architecture – it played an active role in a radical imaginative renewal fueled by developments in scientific knowledge that were being diffused across a newly invigorated visual culture.
Supplemented with a glossary of materials and techniques, as well as an ample bibliography, this book helps us understand the extraordinary rise of the art of jewelry and bijouterie in France from 1880 to 1914.
On sale at the L’ÉCOLE Bookshop (31 rue Danielle Casanova, Paris 1er)
Author: Rossella Froissart, Research Director at the École Pratique des Hautes Études (EPHE-PSL) and curator of the exhibition. With the collaboration of Florent Guérif and Paul Paradis.
